Not Tender (rose) (2024)
Photographic etching.
Edition of 50 per note.
The etching plates correspond to the size of the real £ note.
It's a Colourful Life (2022)
Printed using one etching plate with horizontal lines, putting it through the press thirty two times, to create analogies & abstractions between
the print & one’s lived experience. This print references the technique of cross hatching, traditionally used in the etching process to create light & dark, form & texture.
Ruskin's View (2022)
&
Ruskin's View: a Living Voice (2022)
This Wedge (2022)
etching & cutting mat
I want it to go.
It's getting in the way.
Tell it to go.
You don't see it.
It is there for me.
I can see it.
It's getting in the way. It gets bigger every time it comes around.
How do I un-see it.
Deal with it.
This wedge.
I cut it off but it came back.
(possible area of expansion if I leave it to grow).
Distractions.
Fledgling I (2022)
Diptych.
Two etching plates printed twice for each
print to create cross hatching; altering
positions in Fledgling II.
In The Corner Of My Mind (2022)
Playing with the process of etching with wiping the plate to create an atmosphere.
Slipping away(2022)
Using one plate multiple times to create analogies, whilst playing with process.
Relations (2021)
Using one plate to create analogies, whilst playing with crosshatching.
Hysterical Women I & II (2020)
Diptych
Series of pairs of prints from inked balloons, filled with graphite & put through the printing press.
Two Sided I (2019)
Diptych
Pencil transfer (via printing press) from two sides of brown paper packing.
90 x 140cm each
Two Sided II (2019)
Diptych
Pencil transfer (via printing press) from two sides of brown paper packing.
90 x 140cm each
Brown Paper (Orange & Pink) (2019)
Diptych
Monoprints from a piece of brown paper packing.
Neon Drawing (2019)
Print using etching plate, rolled ink and pencil.
Self (2019)
Triptych
Using one plate to create analogies, whilst playing with crosshatching.
Blue Carrier (2019)
Monoprint on Paper Bag & Nail.
46 x 53 cm
Exhibited at Woolwich Contemporary Print Fair.
The Point (2019)
Etching and coloured ink roll over.
56 x 54cm
Plastic Bags Paper Bags (2019)
Triptych.
The plastic bags have been placed into
the paper bags after printing.
Monoprints.
24 x 24cm each.
Awarded Highly Commended from Hauser & Wirth Somerset at Black Swan Arts Open, Frome.
Why Did You? (2019)
Drypoint Print with Ink Roll Over, Nail & Shoe Leather.
17 x 16cm
Self Medicating (2019)
Etching & Chine-Collé.
Using one plate to create analogies, whilst playing with crosshatching.
31 x 36cm
Villefranche Sur Mer (2018)
Etching & Chine-Collé.
Playing with focal and center points..
(3 etching plates)
80 x 60cm
Edition of 5.
Pairs (2018)
Diptych.
Two prints of a pear on paper bags.
Two prints of an apple printed on paper bags.
35 x 58cm each.
Variable edition of 4
Humbugs (2018)
Etching & Chine-Collé.
Edible rice paper & paper bag.
11 x 24cm
Variable edition of 8.
Pill Box I (2008)
Medication box turned inside out and etched with an image of itself a quarter smaller.
12 x 3 x 5cm
Of 06-09 (2009)
Etched zinc sheet
Installed into the Ben Pimlott roof terrace,
Goldsmiths College.
Part of my BA degree show work.
6 x 3ft
Stand (2008)
Idea that went onto be Of 06-09
Would You Like A Cuppa? (2007)
Inspired by a text conversation I had with a friend, which went....
Just put the kettle on, would you like a cuppa?
Would love one. I've just run aground on a sunken German battleship.
The text was photo etched on 2 plates, the drawing on another.
